"Look do you see that poem?" she said suddenly, pointing.
"Where?" Jane and Diana stared, as if expecting to see Runic rhymes on the birch trees.
"There. . .down in the brook. . .that old green, mossy log with the water flowing over it in those smooth ripples that look as if they'd been combed, and that single shaft of sunshine falling right athwart it, far down into the pool. Oh, it's the most beautiful poem I ever saw."
"I should rather call it a picture," said Jane. "A poem is lines and verses."
"Oh dear me, no." Anne shook her head with its fluffy wild cherry coronal positively. "The lines and verses are only the outward garments of the poem and are no more really it than your ruffles and flounces are you, Jane. The real poem is the soul within them . . .and that beautiful bit is the soul of an unwritten poem. It is not every day one sees a soul. . .even of a poem." (Anne of Avonlea)
I find myself quoting and thinking continually about L. M. Montgomery's character, "Anne Shirley. Anne with an 'e,'" as I prepare this series, which not only reveals the tremendous influence the vivacious young heroine with her love of big words and her romantic flair has played in cultivating within me an appreciation and reveling for poetry, but how Montgomery weaves poetic thought, movement, and imagery into the very prose of her stories...
Then, how several years later, now living at Green Gables, Anne and her friends reenact a scene from a poem they've studied in school, which ends calamitously with the sinking of the boat and Anne's near drowning, who is only saved from her precarious position and her "watery grave" by Gilbert Blythe's timely rescue (to her utter dismay and disdain). Ironically, Gilbert succeeds in what Sir Lancelot could not - rescuing the "Lady of Shalott," the lovely lily maid!
When I first watched the video below I was transported to that romantic, medieval - though far from realistic - world! The narrative, pictures, and music capture the true essence of the poem. So if you can take the time to listen to it, I hope you too will be transported away to this land of lyrical beauty.
"It was November - the month of crimson sunsets, parting birds, deep, sad hymns of the sea, passionate wind-songs in the pines. Anne roamed through the pineland alleys in the park and, as she said, let the great sweeping wind blow the fogs out of her soul." (Anne of Green Gables)Those who have watched the beloved movie adaption of the first book (Anne of Green Gables) will recall that it begins with a young, rag-clad Anne walking dreamily through a forest, a basket on her hip, an open book in her hand, reading aloud a poem from its pages... "...she has heard a whisper say, a curse is on her if she stay..."
Then, how several years later, now living at Green Gables, Anne and her friends reenact a scene from a poem they've studied in school, which ends calamitously with the sinking of the boat and Anne's near drowning, who is only saved from her precarious position and her "watery grave" by Gilbert Blythe's timely rescue (to her utter dismay and disdain). Ironically, Gilbert succeeds in what Sir Lancelot could not - rescuing the "Lady of Shalott," the lovely lily maid!
"'Of course you must be Elaine, Anne.' said Diana. 'I could never have the courage to float down there.'...It was Anne's idea that they dramatize Elaine. They had studied Tennyson's poem in school the preceding winter... They had analyzed and parsed it and torn it to pieces in general until it was a wonder there was any meaning at all left in it for them, but at least the fair lily maid and Lancelot and Guinevere and King Arthur had become very real people to them, and Anne was devoured by secret regret that she had not been born in Camelot. Those days, she said, were so much more romantic than the present. (Anne of Green Gables)"Alfred, Lord Tennyson wrote, in his timeless lyrical style, a number of versions of this tragic tale, breathing life into almost forgotten, archaic legends. The one I've decided to share with you is the version Anne Shirley reads at the beginning of the movie. Tennyson revised his earlier poem and published it in this form in 1842.
When I first watched the video below I was transported to that romantic, medieval - though far from realistic - world! The narrative, pictures, and music capture the true essence of the poem. So if you can take the time to listen to it, I hope you too will be transported away to this land of lyrical beauty.
Part I.
On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.
Willows whiten, aspens quiver,
Little breezes dusk and shiver
Thro' the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.
By the margin, willow-veil'd
Slide the heavy barges trail'd
By slow horses; and unhail'd
The shallop flitteth silken-sail'd
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott?
Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly
From the river winding clearly,
Down to tower'd Camelot:
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers "'Tis the fairy
Lady of Shalott."
Part II.
There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.
And moving thro' a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot:
There the river eddy whirls,
And there the surly village-churls,
And the red cloaks of market girls,
Pass onward from Shalott.
Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd-lad,
Or long-hair'd page in crimson clad,
Goes by to tower'd Camelot;
And sometimes thro' the mirror blue
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.
But in her web she still delights
To weave the mirror's magic sights,
For often thro' the silent nights
A funeral, with plumes and lights
And music, went to Camelot:
Or when the moon was overhead,
Came two young lovers lately wed;
"I am half-sick of shadows," said
The Lady of Shalott.
Part III.
A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling thro' the leaves,
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A redcross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.
The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle-bells rang merrily
As he rode down to Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armour rung,
Beside remote Shalott.
All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
As he rode down to Camelot.
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over still Shalott.
His broad clear brow in sunlight glow'd;
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river
He flash'd into the crystal mirror,
"Tirra lirra," by the river
Sang Sir Lancelot.
She left the web, she left the loom,
She made three paces thro' the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried
The Lady of Shalott.
Part IV.
In the stormy east-wind straining,
The pale-yellow woods were waning,
The broad stream in his banks complaining,
Heavily the low sky raining
Over tower'd Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And round about the prow she wrote
The Lady of Shalott.
And down the river's dim expanse –
Like some bold seër in a trance,
Seeing all his own mischance –
With a glassy countenance
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.
Lying, robed in snowy white
That loosely flew to left and right –
The leaves upon her falling light –
Thro' the noises of the night
She floated down to Camelot:
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.
Heard a carol, mournful, holy,
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darken'd wholly,
Turn'd to tower'd Camelot;
For ere she reach'd upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.
Under tower and balcony,
By garden-wall and gallery,
A gleaming shape she floated by,
A corse between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and burgher, lord and dame,
And round the prow they read her name,
The Lady of Shalott.
Who is this? and what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they cross'd themselves for fear,
All the knights at Camelot:
But Lancelot mused a little space;
He said, "She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott."
